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Post by jo on Jan 31, 2024 19:44:00 GMT -5
Hugh Jackman's acting portfolio has been remarkably marked by some of his best interpretations of what being a father meant!
*In Les Miserables, he discovers the epiphany of love through his newly-adopted daughter in "Suddenly". The same love would make him weary ( and jealous) that the young man Marius would take her away...but later on realizes that life without Marius would be devastating for his beloved daughter. He sings of his troubled mind... and later on pleads with God to spare the young man in Bring Him Home.
*In Prisoners, we see a father near-deranged when his daughter went missing. His desperation bordering on near-insanity reaches its peak in the hammer scene in the movie. But then we see his deep feelings at her loss... when he sees the bloodied sock of his daughter - his body trembles and tears well up in his eyes.
*In Logan, he discovers the love of a daughter and finds peace as he dies. The most beautiful dying scene in many a movie.
*In The Son, he is both a father and a son. He is desperate to help his adolescent son troubled by depression. He relives his own growing up experience with his selfish father. But he also did not realize that by trying not to act like his father he is not able to understand or appreciate what is leading his son to depression, that he himself has caused it when he makes him a child of divorce.
*In The Music Man, Harold Hill softens and draws out a young boy devastated by the loss of his father to a happier frame of mind, with the promise of a band that draws out the love of music & a spanking new uniform. But the most telling was the scene of the two gone fishing, as they whisper inanities to each other!
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Post by jo on Feb 2, 2024 11:26:18 GMT -5
Going through past interviews when the movie Les Mis was first released --
One interviewer told Hugh -- that he had seen it 5 times on Broadway...but he only fully understood the story when he saw the film adaptation!
Did you have the same experience?
Hugh did say that the story is essentially a story of redemption! I finally realized it is a story of redemption after reading the book and seeing the film. Initially when I saw it on stage for the first time, I thought it was all about the story of a revolution. Actually, the revolution phase was only part of the story of Jean Valjean.
That is why Valjean's Soliloquy is a key moment.
Sad to say that it was breezed over in the stage versions, as if they were in hurry to get to the next phase of the storyline.
It would have been appreciated if a director's commentary was given in the home video.
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Post by jo on Feb 2, 2024 11:51:57 GMT -5
In a sense - the stage version appealed more to the emotion... because of the impact of the many glorious songs, beautifully rendered on a live stage ---
while the film adaptation was more intellectual because it highlighted several key moments of the greatness of man:
*when Valjean realizes it is the grace of redemption (Soliloquy)
*when Javert declares his doubts in Stars, rather than the pompous delivery on stage
*when the contrast between the less privileged and the upper class was better contrasted ( explaining the revolt)
*when Valjean finally matures -- from when he saves the lookalike convict, when he gives up Cosette to the sleeping Marius in Bring Him Home, when he finally gives up his soul to the Creator ( Bring Me Home) and then is met by the man who gave him the grace of redemption.
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Post by jo on Feb 6, 2024 18:31:36 GMT -5
Amanda Seyfried shares how Hugh Jackman helped her in her scenes in Les Miserables.
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Post by jo on Feb 14, 2024 6:41:25 GMT -5
Isnt' February 14 the day that they are re-releasing Les Miserables, with a remastered version? One of the most memorables scene came from the ending of this film adaptation. As someone said, a movie ending where everyone in the audience cries Here's the exceptional ending -- To this day -- I cannot accept that Hugh Jackman did not win the Oscar for his interpretation of the Valjean role!Jo
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Post by jo on Feb 22, 2024 23:20:12 GMT -5
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Post by jo on Feb 23, 2024 22:41:11 GMT -5
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Post by jo on Feb 24, 2024 10:48:44 GMT -5
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Post by jo on Mar 13, 2024 1:27:25 GMT -5
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Post by jo on Mar 13, 2024 5:15:16 GMT -5
Postscripts:
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Post by jo on Mar 13, 2024 23:48:17 GMT -5
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Post by jo on Apr 2, 2024 16:21:09 GMT -5
If people want to be technical, they should all be singing with a French accent. First, the original work is in French. The story happens in France at a tumultuous time in its history ( after the French Revolution). The names are all distinctly French ( Jean Valjean/Javert/Fantine/Cosette) but the essence of this dramatic musical is to tell the story, with singing complementing the acting choices.
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Post by jo on Apr 2, 2024 16:50:22 GMT -5
Added these tweets --
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Post by jo on Apr 3, 2024 14:59:44 GMT -5
Finally, a full-out emotional performance of BRING HIM HOME
(Just like Hugh JacKman sang it in the film adaptation).
Msny people derided the way Hugh sang it because they said that in the stage play it was sung as a prayer.
But in the film adaptation, Hugh Jackman gave it a fuller interpretation --
*Initially, he felt jealous of Marius taking away his beloved daughter Cosette. When Gavroche mistakenly gives him Marius's farewell note to Cosette...Valjean decides to see the situation in which his daughter's beloved was in. Arriving at the barricades, he saw how little the student force was and how not strongly defensible their position was. He looks at the sleeping students, including Marius... and at that moment, pleaded with God to spare the young man. To bring him home!
It was a more alive interpretation of what was going on in his mind... and he becomes emotional as he pleaded for deliverance for Marius,
Here - Hugh's version of BRING HIM HOME --
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Post by jo on Apr 4, 2024 1:55:17 GMT -5
The continuing debate --
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Post by jo on Apr 10, 2024 21:11:28 GMT -5
Many versions of Les Miserables -- *Dramatic but straight dialog *Sung-thru dialog/recitative
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Post by jo on Apr 18, 2024 0:15:51 GMT -5
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Post by jo on Apr 18, 2024 9:32:34 GMT -5
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Post by jo on May 11, 2024 6:14:38 GMT -5
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Post by jo on May 26, 2024 18:08:36 GMT -5
A woman from France appreciates the English film adaptation of Les Miserables, featuring Hugh Jackman & Russell Crowe!
Appreciated by someone from where the fictional tale & history actually took place and in the context of its favorite son's ( Victor Hugo) storytelling. He lived the places... and his "Gavroche" was inspired by the painting of Eugene Delacroix's "Liberty Leading the People", now at the Louvre in Paris.
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Post by jo on May 26, 2024 18:23:16 GMT -5
My reply to her appreciation of the film adaptation with Hugh Jackman & Russell Crowe.
The original musical was in French staged in Paris in 1980, predating the English stage musical version by 5 years.
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Post by jo on Jun 26, 2024 18:25:33 GMT -5
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Post by jo on Sept 7, 2024 4:48:00 GMT -5
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Post by jo on Sept 9, 2024 8:13:21 GMT -5
I don't remember anymore that Hugh previewed songs from Les Miserables for his 2019 music tour at Rock Center Plaza prior to the tour. How many singers would dare to sing Valjean's Soliloquy presumably at winter time at such a tourist spot And follows it with One Day More! The emotions these songs from the incomparable musicalized version of Victor Hugo's work elicit can only come so sincerely from someone who can be a great artist and human being! Jo
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Post by jo on Sept 11, 2024 21:18:20 GMT -5
Valjean Soliloquy, as performed on stage, on Broadway --
Trevor Nunn did not fully comprehend the importance of this piece. All other performers used the same performing templates from the 1985 musical adaptation --
*No nuance at all! *Acting (vocal and face/body language) is the same all throughout -- all venting and shouting! *No transformation in the character is seen, even remotely -- this is where Hugh Jackman's interpretation was excellent -- we can see how the grace of redemption changed him as a man! From disbelief to remorse to feeling blessed to making a pledge to become a better man! What a transformation! *Stage acting is meant to sing as loudly as you can - even if this is not what is called for. Film acting lets you change the character, if called for, because the camera is a more intimate place to show your emotions.
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