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Post by jo on Feb 12, 2019 16:46:31 GMT -5
Does it come complete with bartender Daniel Cloud Campos I am not very clear about the write-up. Is it saying that the bar used in The Greatest Showman was designed as a production set...and will now be sent to or copied per se for the new Las Vegas attraction? Because I thought the scenes were filmed at Steiner Studios in Brooklyn. Which is presumably the same bar used for FROM NOW ON ? Whichever it was -- that was one of the gems from the movie. Jo
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Post by jo on Feb 12, 2019 22:07:45 GMT -5
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Post by jo on Feb 14, 2019 20:47:13 GMT -5
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Post by jo on Feb 21, 2019 16:47:14 GMT -5
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Post by jo on Feb 22, 2019 17:57:36 GMT -5
Is a movie sequel to THE GREATEST SHOWMAN on its way? www.thesun.co.uk/tvandshowbiz/8491045/hugh-jackman-greatest-showman-sequel-success-first-movie/The Sun is a tabloid. Has the story been verified ( it might be more credible if there is a clip of Michael Gracey being quoted directly on the possibility)? The Sun is also part of the NEWS group, which is now the main holdings of Rupert Murdoch ( it is possible that they had some access to Gracey). Interestingly the comment from one reader says that the Exec Editor who wrote this has some occasional credibility issues. There is a photo of Michael Gracey attached to the article - no info if that was taken by The Sun itself. Michael was acknowledged by Hugh as having worked on the Opening Number at the BRITs. The spectacle scale ( including the use of the big screens with dancers as backdrop) seemed like Michael's signature work. Michael Gracey has also been quoted in the past ( I think it may also have been The Sun?) that a stage adaptation is in the works? So, which piece of gossip seems to have more credibility weight Jo
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Post by jo on Feb 22, 2019 18:28:38 GMT -5
From the report of The Sun -- I have heard before from an insider contact that there was one major potential investor ( I know the name but can't disclose it here) who was seriously interested but that didn't seemed to have panned out. I think at that time Chernin Entertainment ( Peter Chernin was a former NEWS Corp exec who became a major investor in many Fox films after he left NEWS Corp, as part of a deal) was not yet an investor in the film ( but came in later). The Daily Mail quotes The Sun in its coverage of the possible sequel... but also adds more info. www.dailymail.co.uk/tvshowbiz/article-6735723/Hugh-Jackman-working-sequel-Greatest-Showman-following-musicals-huge-success.htmlThis was where details from the BBC report came from --
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Post by jo on Feb 22, 2019 19:20:44 GMT -5
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Post by jo on Feb 22, 2019 19:35:57 GMT -5
This is speculation on my part --
I wonder if the choice of a sequel/prequel OR a stage adaptation of the original movie came from DISNEY itself after it may have formally acquired the FOX creative assets?
Maybe to Disney, the box office potential of a new film ( given the worldwide success of the movie and its soundtrack) sounds much, much more promising than a stage adaptation which has a limited revenue potential ( unless it runs practically forever, in which case the cast replacement issue will have to be dealt with). They may have also noted the strong appeal of the movie and its soundtrack to the unexpected fanbase -- the young kids ( Disney's natural audience)!
Maybe the 2 options were being explored simultaneously? And maybe a decision has already been made clearer at this point, which is Michael Gracey gave strong hints on it?
Jo
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Post by jo on Feb 23, 2019 0:59:38 GMT -5
Did we stumble into something when this was mentioned in the Rolling Stones interview about the upcoming world tour ( somewhere on Page 2 of the World Tour thread) -- Given the rehearsals that will take place, why would Hugh all of sudden go into song-writing? I can understand if he wanted to do screenwriting because of his journalism background, but to take another career turn and become a songwriter? Has that ever been in his bucket list? Hmmm... never mentioned it. And why Pasek&Paul in particular? What if that piece of info about writing something with Pasek&Paul have something to do with the musical score of a sequel/prequel to The Greatest Showman Of course it could also be for a possible stage adaptation, albeit my own guess is that Disney may want to proceed more towards a film sequel? It would be great and such a treat to possibly premiere it in his upcoming show tour, just as he tried out THIS IS ME in his Broadway to Oz tour! Imagination(mine) running wild Jo
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Post by jo on Feb 23, 2019 7:25:27 GMT -5
Fair comment. Unfortunately, in the land of showbusiness, the investors prefer to put their money on proven products. It took the original movie some 8 years to get released as a film … because the genre was considered too risky and many felt musicals no longer cater to general audience tastes.
If the news of a potential sequel is true and in the works -- it must be such a liberating feeling for the original creative team (and the workshop team for the score and the cast as well) to know that they will have a different footing this time around.
If the sequel does not materialize ( we need to wait for maybe an official Disney announcement) but Hugh moves on to another new musical - I think we have faith in him to carry it through, albeit it may take a more circuitous route.
Hoping for the best!
Jo
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Post by jo on Feb 23, 2019 23:27:09 GMT -5
Oh, oh -- it looks the tweet I was referring to was deleted by the tweeter. She said that she would much prefer to see Hugh in another movie musical instead of a sequel of TGS. She says Hugh has brought on the revival of movie musicals by himself ( paraphrasing here, can't remember exact words).
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Post by jo on Feb 23, 2019 23:37:19 GMT -5
Re the "news" of a sequel is all over mass and social media! Maybe Gracey should have been more circumspect and simply said that is one option being floated around. Gracey can be stubborn and very outspoken though ( he did battle with Fox Marketing on how to publicize TGS via its trailers)…
I have a feeling that they may have been given the go-signal " to develop the material" but were not given explicit approval? Maybe Gracey decided to open it up to the public to put some pressure on whichever unit ( Fox or Disney or the exec-in-charge) is responsible for project development? If so, I wonder if they have been given a budget for that purpose. I remember that early workshops then were partly at the expense of Hugh.
Hugh is more circumspect( as he usually is -- he may be Mr. Blabbermouth on his personal matters or advocacies...but he is always mum when it comes to announcing projects he may be involved in. Also, he lets official announcements come from the project owners. I wonder how he will reply to this, if asked in public?
Pasek and Paul have a number of commitments to write songs or complete scores for animation ( not so sure if there are any live-action). When can they do this- unless, they have actually started on it without us being aware of it ( maybe even with Hugh as part of the songwriting team)? Also, the score of TGS was done in complete collaboration with Gracey ( he would conceptualize what he needs a song for, before the composers start work on it) - maybe that was why Gracey was a bit confident saying that they are now working on it? Does this mean the Broadway project may have been shelved?
Jo
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Post by jo on Feb 23, 2019 23:38:38 GMT -5
The tweet reappeared. Sometimes Twitter has some technical problems maybe because of the hundred million tweets being uploaded every time
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Post by jo on Feb 23, 2019 23:45:20 GMT -5
Too much pressure from the adoring public
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Post by jo on Feb 25, 2019 23:40:18 GMT -5
While doing the press tour in his homeland, Hugh has been candid what the turning point of his career has been. In 2017, two distinct genres became his most successful movies and the culmination of his supposed "front nine" of his career. LOGAN ended his 17-year tenure as Wolverine in the genre which built his career and The Greatest Showman became a slowburn success in a genre that was not a current favorite. From hereon, he shares some memories and how he now looks at his career -- www.smh.com.au/entertainment/musicals/it-was-looking-grim-how-hugh-jackman-s-greatest-showman-gamble-paid-off-20190226-p510cs.htmlWe all remember how we suffered with him when the first reviews and box office results came in And then... the recovery in January and on to become the leggiest movie in recent box office history in the USA/UK! We first noted the 90% range of Audience Scores on Rotten Tomatoes ( in contrast to the very low score, ratings-wise). We began to be aware of the box office support when Scott Mendelson ( previously an unbeliever) of Forbes reported about the incredible phoenix-like rise of the movie musical, week-in and week-out. We loved the review of Variety's Owen Gleiberman ( amidst the sea of critical panning and dissing) as he praised the movie for what it has made him and us feel. And when the NYTimes asked readers to share why they loved The Greatest Showman when the hallmarks of success ( box office and critical ratings) were not there - fans responded so strongly with their reasons for loving the movie and its music! It brought joy into everyone's heart and we could not get enough of the movie and the music. Its box office success was then replicated in singalongs, in the tremendous chart-busting success of the album … and the unbelievable social media reactions! From age 3 to 93 ( maybe 83 )! We were all singing/dancing along in whatever kind of voice/terpsichorean quality we could find … The home video release in the USA was top 3 ( bested only by Last Jedi and one of the Avengers) for the year! The album has earned double platinum ( at least 2 million) in the USA ( still on the charts as of now), with many of the singles certified Gold or Platinum... and in the UK now certified for 6 X times platinum (1.8 million)...and on a worldwide basis, the best-selling album of the year with about 5.3 million! How ironic then that Hugh Jackman was asked to give the musical Opening number for an awards show ( the BRITs) that was more to do with pop/rock music! And he did not disappoint! Perhaps, the real theme song of Hugh's career at this point is not really THE GREATEST SHOW... but -- A million dreams!for everything seems to be falling into place for this entertainer whose main career thrust is to show us his "joy in performing", whether before the cameras or live onstage! One day soon … we hope that the culmination is Oscar glory (whether it comes from a dramatic portrayal... or even a Logan-like action characterization... or another musical performance... can be in any genre because Hugh Jackman is versatility and talent personified)... to bring him into the rarified group called the EGOTs! Jo
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Post by jo on Feb 26, 2019 9:57:58 GMT -5
Vanity Fair has picked up the story of the next phase of the enduring success of THE GREATEST SHOWMAN. www.vanityfair.com/hollywood/2019/02/greatest-showman-sequelAfter more recent successes for Hugh and his passion project ( Continuing chart success of the soundtrack, the Grammy win, and BRITs Opening Number) -- the new phases have stepped into what Hugh Jackman says he basically gave up a year for : *A 62-date ( as of now ) World Music Tour that will take him from Europe/Uk to the USA/Canada … and then to Australia ( and already announced but no dates yet for New Zealand). *Then the development work now supposed to be ongoing for director Michael Gracey and Hugh on a film sequel to The Greatest Showman. *Vanity Fair speculates that any sequel will not likely focus on Barnum's life as a politician... but more likely on the later stages of the circus? Hmmm... could it also be more of a flashback as well as a sequel? Nothing much we haven't known or read about -- but it is good that the subject is in the current conversation with major entertainment media! The same media who couldn't quite believe the unfolding and continuing success of THE GREATEST SHOWMAN! It also helps build further interest in the upcoming musical dates with Hugh Jackman! Jo
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Post by JH4HJ on Feb 28, 2019 19:58:56 GMT -5
Hugh Jackman - The Greatest Show (from The Greatest Showman) [Live at The BRITS 2019]I hope this isn't redundant . . . but, worth watching more than once anyway. Some of the fan comments are quite entertaining too.
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Post by jo on Feb 28, 2019 20:03:25 GMT -5
I do believe in redundancy especially if it involves Showman Jackman, Valerie The BRITs Opening Number reignited once again the love of the movie and its score by the Brits( the people)! If people had dallied about seeing Hugh's upcoming Music Tour, this was the right push to check out that Hugh Jackman's performing talent seen live matches what he displayed in the movie, unvarnished! Jo
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Post by jo on Feb 28, 2019 20:06:19 GMT -5
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Post by jo on Feb 28, 2019 20:12:56 GMT -5
Excerpts from his review that criticized Hugh as a person --
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Post by jo on Feb 28, 2019 20:20:26 GMT -5
Being a Jackman fan and whose comments might also be viewed as less objective -- I looked for a well-thought out review from an impeccable source -- the trade paper VARIETY ( certainly a much more influential trade paper on Hollywood and its movies than Luke B's Daily Review) -- and here is Owen Gleiberman's review written when the movie was first released. And do read the readers reactions, too -- much more than 95% agreement and more with the Gleiberman ode to The Greatest Showman! variety.com/2017/film/reviews/the-greatest-showman-review-hugh-jackman-1202644784/
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Post by hughmanity on Feb 28, 2019 23:18:55 GMT -5
Here is the video of the interview referenced by that sanctimonious prig who presumes to know the mind and morals of Hugh Jackman. It is a lovely interview.
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Post by mamaleh on Mar 1, 2019 1:26:06 GMT -5
Yikes, who urinated in that critic’s cornflakes? It’s one thing to dislike a movie for whatever reasons, but to call its star a “huckster” peddling a noxious product is so far over the line that it’s ludicrous.
As to the film’s veracity, it’s unfair to apply modern sensibilities and societal norms to an earlier century not yet fully cognizant of what people in power should aspire to be. But even so, Barnum does not come across as an angel; in fact some scenes don’t hide aspects of his darker side. Redemption comes at the end, as it often does in a feel-good family musical. And there’s nothing wrong with that.
I’m glad Hugh doesn’t read reviews. At least he had plenty of defenders in the comments section.
Ellen
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Post by jo on Mar 7, 2019 19:19:47 GMT -5
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Post by jo on Mar 9, 2019 1:38:54 GMT -5
Interesting analysis of Hugh Jackman's vocal range using music from The Greatest Showman --
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