2018 Oscar Hopefuls!

[jo]

One of the veteran Hollywood media and major Oscar predictor, Anne Thompson, peeks at possible contenders for Best Actor for the next Oscar race ( 2018) --

www.indiewire.com/2017/03/oscars-2018-best-actor-predictions-1201789016/

2018 Oscar Predictions: Best Actor
Anne Thompson’s early look at the Oscar race includes Gary Oldman, Joaquin Phoenix and more.

Anne Thompson
Mar 10, 2017 2:00 am
@akstanwyck


It’s way too early to make any predictions.

But a scan of upcoming projects yields a long list of Best Actor candidates. They range from such lauded industry heavyweights as Steve Carell, Benedict Cumberbatch, Matt Damon, Michael Fassbender, Gary Oldman, and Joaquin Phoenix, to rising stars looking to get their first Oscar break (Chadwick Boseman, Timothée Chalamet, Jason Clarke, Armie Hammer, Domnhall Gleeson).


Back in January, Sundance broke Chalamet and Hammer in Luca Guadignino’s critics’ darling “Call Me By Your Name,” which Sony Pictures Classics will push hard with audiences and Academy voters. Other well-reviewed Sundance performances include writer-comedian Kumail Nanjiani (Amazon Studios’ “The Big Sick”), Jason Clarke (Netflix’s “Mudbound”), and  veteran Sam Elliott (The Orchard’s “The Hero”).


As always, Cannes and the fall festivals will bring the race into clearer focus. Boseman, Carell, Cumberbatch, and Oldman are in period biopic mode as young Justice Thurgood Marshall, tennis player Bobby Riggs, inventor Thomas Edison and Sir Winston Churchill, respectively, in Reginald Hudlin’s “Marshall” (Open Road), Jonathan Dayton & Valerie Faris’s “Battle of the Sexes” (Fox Searchlight), “The Current War” (Weinstein Co.), and Joe Wright’s “Darkest Hour” (Working Title/Focus Features).


Phoenix is the latest actor to take on the role of Jesus of Nazareth in Weinstein’s “Mary Magdalene,” directed by “Lion” breakout Garth Davis. And Daniel Day Lewis could well be in the running for his sixth Oscar nomination, reunited with Paul Thomas Anderson in his first film since his Oscar-winning “Lincoln.” (Focus Features will release the untitled Annapurna production.)


Below is the long list of early hopefuls we’ve got on our radar. Remember, no one can be deemed a frontrunner until we have seen the film.


Frontrunners:

Timothée Chalamet (“Call Me By Your Name”)
Jason Clarke (“Mudbound”)
Sam Elliott (“The Hero”)
Armie Hammer (“Call Me By Your Name”)
Kumail Nanjiani (“The Big Sick”)


Contenders:

Chadwick Boseman (“Marshall”)
John Boyega (“Untitled Detroit Project”)
Steve Carell (“Battle of the Sexes”)
Benedict Cumberbatch (“The Current War”)
Matt Damon (“Downsizing”)
Idris Elba (“The Mountain Between Us”)
Colin Farrell (“The Beguiled”)
Michael Fassbender (“The Snowman”)
Richard Gere (“Norman: The Moderate Rise and Fall of a Fixer”)
Domnhall Gleeson (“Untitled A.A. Milne”)

Hugh Jackman (“Logan,” “The Greatest Showman”)

Daniel Day Lewis (“Untitled PTA”)
Joaquin Phoenix (“Mary Magdalene”)
Gary Oldman (“Darkest Hour”)

Hugh is the only one with two roles up for possible consideration! I wonder why Ms. Thompson did not put his name under Frontrunners as she has obviously seen his work in LOGAN ( as she has put both Mangold and Stewart under Frontrunners for their respective categories) and then put his name again among Contenders ( for Greatest Showman).

We'll see.

[jo]

And Ms. Thompson's early look at possible Best Picture contenders --

www.indiewire.com/2017/03/oscar-predictions-2018-academy-awards-1201789008/

It’s early days yet, we know. But awards season 2018 got started at Sundance, and will continue at Cannes.
Check out our early speculation, based on credible filmmakers, promising ensembles and Oscar-savvy distributors, of what might be in store when the next award season rolls around in the fall of 2017.

Sundance introduced the first potential feature contenders: Michael Showalter’s big Amazon Studios sale, “The Big Sick,” a true romance starring writer-actor Kumail Nanjani, as well as Geremy Jasper’s New Jersey rap musical “Patti Cake$” (Fox Searchlight), starring breakout Australian actress Danielle MacDonald and returning veteran Cathy Moriarty (“Raging Bull”), Sony Pictures Classics’ elegiac gay romance “Call Me By Your Name” , directed by Luca Guadagnino and starring Armie Hammer, “Homeland” breakout Timothée Chalamet, and stalwart Michael Stuhlbarg.

Perhaps most interesting to watch is how Netflix will handle its $12.5 million pickup of Dee Rees’ post-World War II southern drama “Mudbound” starring Jason Clarke, Carey Mulligan, Garrett Hudland, Jason Mitchell, and an unrecognizable Mary J. Blige. Adapted by Rees and Virgil Williams from Hillary Jordan’s 2009 novel, this movie didn’t think small. Rees and cinematographer Rachel Morrison executed sweeping, gorgeous cinema with disciplined precision. The burgeoning streaming service plans a day and date release in a limited number of theaters to qualify for the Oscars.

Performers grabbing notice at Sundance included Melissa Leo, who steals Maggie Betts’ good-nuns-gone-bad movie “Novitiate.” Never underestimate Sony Pictures Classics’ ability to showcase a popular actor like Leo.
And after last year’s Sundance sleeper “I’ll See You in My Dreams,” Sam Elliott returned in another Brett Haley film, “The Hero” (The Orchard),  delivering a moving lead performance as a 70-year-old western star trying to tell the women in his life that he may be dying. Get out your handkerchiefs.


Among the documentaries, Matthew Heineman followed his Oscar-nominated border drug war thriller “Cartel Land” with another daring and timely documentary, Amazon’s “City of Ghosts.” Any footage from Syria came from the fearless Raqqa journalists he tracks through Turkey and Germany, where they discover that they are not necessarily safe — anywhere.

Netflix’s “Icarus” comes from marathon biker Bryan Fogel, who stumbled upon a riveting global scoop: the Russian Olympic doping scandal. Also acquired by Netflix is U.S. Documentary-winner “Chasing Coral,” a heartrending, eye-popping follow-up to Jeff Orlowski’s “Chasing Ice,” similarly documenting the technological feats required to go underwater to film the process of vivid live coral reefs succumbing to warm-water temperatures, as well as Kitty Green’s beauty contest expose “Casting JonBenet.”

Among the early releases of 2017, Jordan Peele’s brainy Hitchcockian thriller “Get Out” is among the best-reviewed of the year, but its genre elements may prevent it from scoring anything beyond a well-deserved nod for screenplay.


James Mangold’s delivers an R-rated Marvel family drama with “Logan,” a stylish reinvention of the superhero genre made possible by Hugh Jackman and Patrick Stewart, who were willing to close out their roles as Wolverine and Charles Xavier, respectively.


Still to come at Cannes, over the summer and into the fall and holidays are a raft of well-assembled, promising projects that will pass through the crucible of reviewers and performances before emerging as full-blown bonafide Oscar players. And some still may pick up actual distributors and release dates as well.
Until then, bring on new movies from Paul Thomas Anderson, Kathryn Bigelow, Guillermo del Toro, Garth Davis,  Christopher Nolan, Michael Haneke, Sofia Coppola, Darren Aronofsky, Alexander Payne, Joe Wright, Destin Daniel Cretton, Alex Garland, Roman Polanski, Colin Trevorrow, Aaron Sorkin, Jonathan Dayton and Valerie Faris, and Todd Haynes.

At this stage, hope springs eternal.

 

[jo]

For Best Supporting Actor!

www.indiewire.com/2017/03/oscars-2018-best-supporting-actor-predictions-1201789020/

2018 Oscar Predictions: Best Supporting Actor
Anne Thompson’s early look at the Oscar race includes Sterling K. Brown, Woody Harrelson and more.

Anne Thompson
Mar 10, 2017 2:00 am
@akstanwyck


Biopics, comedies, period pieces and intimate dramas: films that yield Best Supporting Actor nods come in all shapes and sizes. Recent years have shown that they come at all times of the calendar year, too.
READ MORE: 2018 Oscar Predictions

This year, Sundance yielded a good crop of contenders. Ray Romano impressed among the crowd-pleasing charms of “The Big Sick.” The biggest challenges facing nominations for anyone from “Mudbound” and “Call Me By Your Name” might very well be their fellow cast members. Time (and wider audience reactions) will tell how Netflix and Sony Pictures Classics position the candidates from their respective ensembles.



For a beloved actor in his farewell outing in a role he made iconic, don’t count out Patrick Stewart’s grizzled work in “Logan.” And Kevin Kline could sneak in for his touching singing role as Belle’s father in “Beauty and the Beast.”


Mark your calendar for Thanksgiving and Joe Wright’s “Darkest Hour.” In addition to what could be the final role for the legendary John Hurt, Ben Mendelsohn’s turn as King George VI could be just the thing to crack this actor’s actor into the Oscar nominee ranks.


A list of early possibilities is below. No one will be deemed a frontrunner until I have seen the film.

Frontrunners

Garrett Hedlund (“Mudbound”)
Jason Mitchell (“Mudbound”)
Ray Romano (“The Big Sick”)
Patrick Stewart (“Logan”)
Michel Stuhlbarg (“Call Me By Your Name”)


Contenders

Sterling K. Brown (“Marshall”)
Chiwetel Ejiofor (“Mary Magdalene”)
Woody Harrelson (“The Glass Castle”)
Ed Harris (“Mother!”)
John Hurt (“Darkest Hour”)
Kevin Kline (“Beauty and the Beast”)
Ben Mendelsohn (“Darkest Hour”)
Michael Shannon (“The Current War”)
Christoph Waltz (“Downsizing”)

[jo]

Best Supporting Actress --

www.indiewire.com/2017/03/oscars-2018-best-supporting-actress-predictions-1201789022/

Newcomers often have a chance to shine in the Oscar race for Best Supporting Actress (see Alicia Vikander and Lupita Nyong’o). So we may see some fresh faces emerge as contenders as the year rolls on. This early in the game, we’re keeping an eye on various heavy-hitter scene-stealers in supporting roles.
READ MORE: 2018 Oscar Predictions

Two highly anticipated actress-director reunions to watch are Julianne Moore and Todd Haynes and Kirsten Dunst and Sofia Coppola. Moore was nominated for Best Actress the last time she worked with Haynes (“Far From Heaven”), and went on to win for “Still Alice.” Never-nominated Dunst plays one of several southern ladies who take in a wounded soldier (Colin Farrell) in Coppola’s remake of “The Beguiled” (Focus Features).

Michelle Pfeiffer makes a comeback in Darren Aronofsky’s “Mother!” (Paramount), while past nominees Michelle Williams and Naomi Watts return in two real-life stories, P.T. Barnum biopic  “The Greatest Showman” (Fox) and Destin Daniel Cretton’s adaptation of Jeannette Walls’ memoir “The Glass Castle” (Lionsgate), respectively.
Contenders to emerge from Sundance include Holly Hunter, who steals the show alongside Ray Romano in Amazon’s “The Big Sick,” Melissa Leo, who steals nuns gone bad drama “Novitiate” (Sony Pictures
Classics), “Raging Bull” star Cathy Moriarty as a tenacious grandma in “PattiCake$” (Fox Searchlight), and an unrecognizable Mary J. Blige, who popped out of the sprawling ensemble in Dee Rees’ acclaimed southern drama “Mudbound” (Netflix).  The Academy loves such riches to rags transformations.


A list of early possibilities is below. No film is deemed a frontrunner unless I have seen it.

Frontrunners:

Mary J. Blige (“Mudbound”)
Holly Hunter (“The Big Sick”)
Melissa Leo (“Novitiate”)
Cathy Moriarty (“PattiCake$”)


Contenders: 

Kirsten Dunst (“The Beguiled”)
Lesley Manville (“Untitled PTA”)
Julianne Moore (“Wonderstruck”)
Michelle Pfeiffer (“Mother!”)
Kristin Scott Thomas (“The Darkest Hour”)
Naomi Watts (“The Glass Castle”)
Michelle Williams (“The Greatest Showman”)

[jo]

Best Director --

www.indiewire.com/2017/03/oscars-2018-best-director-predictions-1201789013/

The past few years of Best Director winners have proven that cinema stylists who can deliver scale and scope often get rewarded: see Ang Li’s “Life of Pi,” Alfonso Cuaron’s “Gravity” and A.G. Inarritu’s “The Revenant,” not to mention Damien Chazelle’s “La La Land.”


But the directors also recognize breakout talent (Benh Zeitlin’s “Beasts of the Southern Wild”) and great international directors such as Pedro Almodovar, Michael Haneke and Mike Leigh. And they appreciate films featuring a showcase performance or two.


Sundance standouts “Mudbound” and “Call Me By Your Name” boast sprawling ensemble casts and lush rural settings in the American South and Italy, respectively. Will the Academy directors welcome Dee Rees and Luca Guadagnino into their ranks, or “My Name is Doris” director Michael Showalter, who delivered a small-scale heart-tugger of a true romance, “The Big Sick”?

They may welcome back Darren Aronofsky with Jennifer Lawrence vehicle “Mother!,” or lauded writer Aaron Sorkin, who makes his directorial debut with Jessica Chastain in the title role in “Molly’s Game.” Alexander Payne, Kathryn Bigelow, Sofia Coppola, Guillermo del Toro, Michael Haneke, Christopher Nolan, Roman Polanski, and Todd Haynes are among the familiar Oscar players who have 2017 projects bursting with impressive casts.


The field is also open for directors to land their first Oscar nomination, including “Lion”‘s Garth Davis, Colin Trevorrow, James Kent, Destin Daniel Cretton and “Logan” director James Mangold, who directed Oscar contenders “Girl, Interrupted” and “Walk the Line.”


Coming up on the outside is rookie director Jordan Peele, who is most likely to land a writing nomination for his brilliant Hitchcockian sleeper hit “Get Out.” But his direction will also be remembered by critics at year’s end.

A list of early possibilities is below. No film will be deemed a frontrunner until I have seen it.

Frontrunners

Luca Guadagnino (“Call Me By Your Name”)
James Mangold (“Logan”)
Jordan Peele (“Get Out”)
Dee Rees (“Mudbound”)
Michael Showalter (“The Big Sick”)


Contenders

Woody Allen (“Wonder Wheel”)
Paul Thomas Anderson (“Untitled PTA”)
Darren Aronofsky (“Mother!”)
Kathryn Bigelow (“Untitled Detroit Project”)
Sofia Coppola (“The Beguiled”)
Destin Daniel Cretton (“The Glass Castle”)
Garth Davis (“Mary Magdalene”)
Jonathan Dayton, Valerie Faris (“Battle of the Sexes”)
Guillermo del Toro (“The Shape of Water”)
Alex Garland (“Annihilation”)
Michael Haneke (“Happy End”)
Todd Haynes (“Wonderstruck”)
James Kent (“The Aftermath”)
Christopher Nolan (“Dunkirk”)
Alexander Payne (“Downsizing”)
Roman Polanski (“Based on a True Story”)
Aaron Sorkin (“Molly’s Game”)
Colin Trevorrow (“The Book of Henry”)
Joe Wright (“Darkest Hour”)


Hugh will obviously cheer for Mangold...but he has also worked with W.Allen, D. Aronofsky, C. Nolan, and J.Wright.

[jo]

Best Actress --

www.indiewire.com/2017/03/oscars-2018-best-actress-predictions-1201789018/

Audiences got their first looks at Emma Stone, Brie Larson, Julianne Moore and Jennifer Lawrence’s winning Best Actress performances at fall festivals Toronto or Telluride, so we may not have a clear view of this category until September.

Cannes may give us some early clues, when Golden Globe and Cesar-winner Isabelle Huppert is expected to resurface in Michael Haneke’s “Happy End.” Woody Allen’s upcoming “Wonder Wheel” could reveal whether Kate Winslet could enjoy the same kind of awards season run that Cate Blanchett had in the lead-up to her “Blue Jasmine” win.


Last year’s Toronto breakout Florence Pugh (“Lady Macbeth”) and Sundance rising star Danielle MacDonald (“Patti Cake$”) could join former nominee Carey Mulligan (“Mudbound”) in contention.


Check back in June when Nicole Kidman gets a chance to shine in Sofia Coppola’s “The Beguiled.”

A list of early possibilities is below. None will be considered for Frontrunner until I see them.

Frontrunners

Danielle MacDonald (“Patti Cake$”)
Carey Mulligan (“Mudbound”)
Contenders
Annette Bening (“Film Stars Don’t Die In Liverpool”)
Jessica Chastain (“Molly’s Game”)
Eva Green (“Based on a True Story”)
Sally Hawkins (“The Shape Of Water”)
Isabelle Huppert (“Happy End”)
Nicole Kidman (“The Beguiled”)
Keira Knightley (“The Aftermath”)
Brie Larson (“The Glass Castle”)
Florence Pugh (“Lady Macbeth”)
Rooney Mara (“Mary Magdalene”)
Natalie Portman (“Annihilation”)
Emma Stone (“Battle of The Sexes”)
Daniela Vega (“A Fantastic Woman”)
Katherine Waterston (“The Current War”)
Naomi Watts (“The Book of Henry”)
Rachel Weisz (“My Cousin Rachel”)
Michelle Williams (“Wonderstruck”)
Kristen Wiig (“Downsizing”)
Kate Winslet (‘The Mountain Between Us,” “Wonder Wheel”)

Who will Hugh root for -- Michelle, Rachel W, Nicole, Rooney, Kate W ?? His leading ladies all!

[jo]

This is like choosing between ice cream and chocolate cake

LOGAN or THE GREATEST SHOWMAN ??


We did not expect possible Oscar glory and acting honors for LOGAN ... but it has been a well-received film based on critic reviews and box office performance. Also, it may very well be the first in its genre to get a nod for Best Picture.

On the other hand, GREATEST SHOWMAN will be an original movie musical that may appeal to Oscar voters, partly because of its potential film quality and maybe partly to atone for the snub of LALALAND, both with AMPAS voters and the Oscars hosts

Hugh is expected to show off his triple threat talent in SHOWMAN, a rare talent for other possible nominees. On the other hand, the depth of his acting in LOGAN is well above other noteworthy dramatic emoting!

Both movies are Hugh's passion projects! It must be Solomonic for him to state what his preference might be? Has there ever been one single nomination for an actor/actress for his work in two different films, both in which his acting was outstanding ( since, pragmatically-speaking, a double nod might cancel out its chances)? Hmm... that makes it chocolate ice cream then

But it is early days yet! Hopefully, Fox may take after what was done for The Dark Knight -- it was re-released in December during the year of its original release. LOGAN could be re-released towards November/December of this year so it can be seen by Oscar voters who might have missed it or forgotten about its outstanding quality.

It is still a long wait for SHOWMAN -- we need to see whether the initial hype will be matched by the actual movie!


Jo

[mamaleh]

True enough. Remember all the buzz about COLLATERAL BEAUTY, the cinematic bullet that Hugh fortunately dodged? Best to wait and see.

I agree that it would be a great idea to re-release LOGAN late in the year.

Ellen

[Deleted]

Win an Oscar as Best Actor for GREATEST SHOWMAN could remedy in extremis to the scandalous fraud at the Academy Awards in 2013 but I would prefer to see him win for Logan. I wouldn't want that the wider audience, film critics and insiders can say "if Hugh Jackman doesn't do musicals nobody takes him into consideration as an actor outside from Broadway, because he wins important awards only singing and dancing", it would mean entrap a so versatile talent like his in a standardized cliché, in my opinion it could be really unfair and limiting for his film career.

[jo]

Oops, I forgot to post the BEST PICTURE hopefuls -- what I posted earlier ( mistakenly labeled BEST PICTURE list was the opening article on the various prediction lists) :

www.indiewire.com/2017/03/oscars-2018-best-picture-predictions-1201788999/

2018 Oscar Predictions: Best Picture
Anne Thompson’s early look at the Oscar race includes "Call Me By Your Name," "Downsizing" and more.

Anne Thompson
Mar 10, 2017 2:00 am
@akstanwyck


It wasn’t until the Venice Film Festival and Telluride Film Festival back in September that eventual Best Picture contenders “Moonlight” and “La La Land” premiered and made their way onto everyone’s radar. With that in mind, it’s far too early to be making any real bets on next year’s race for the Academy’s top prize. What we do know is that some of the best filmmakers working today have new movies coming out in 2017, and Oscar watchers will track them closely.


Sundance debuted Luca Guadagnino’s critically hailed “Call Me By Your Name,” which Sony Pictures Classics will push hard with audiences and voters. The other darling of the Sundance Film Festival, true romance “The Big Sick,” is a well-mounted crowdpleaser with an impressive cast. So is Dee Rees’ “Mudbound,” but it remains to be seen if Netflix can drive a non-documentary Oscar campaign.

Previous Oscar contenders Woody Allen, Paul Thomas Anderson, Darren Aronofsky, Kathryn Bigelow, Sofia Coppola, Todd Haynes,  Christopher Nolan and Alexander Payne and will all release new efforts. And indie writer-directors Alex Garland (“Ex Machina”) and Daniel Destin Cretton (“Short Term 12”) are set to raise their profiles with anticipated follow-ups.


“Logan”
Photo Credit: James Mangold
While fans of “Deadpool” were disappointed when it failed to register with Oscar voters, they have a second chance with another R-rated Marvel breakout, “X-Men” spin-off “Logan,” marking the end of Hugh Jackman’s incarnation of “Wolverine.” The Academy can be snobby about these things, but director James Mangold brought depth, storytelling and style to the comic-book superhero genre. Going in, who thought “Mad Max: Fury Road” would score ten nominations and six wins?


A list of early possibilities is below. No film will be deemed a frontrunner until I have seen it.

Frontrunners
“The Big Sick”
“Call Me By Your Name”
“Logan”
“Mudbound”


Contenders:

“The Aftermath”
“Annihilation”
“Battle of the Sexes”
“The Beguiled”
“The Current War”
“Darkest Hour”
“Downsizing”
“Dunkirk”
“The Glass Castle”
“Mary Magdalene”
“Mother!”
“Untitled A.A. Milne”
“Untitled Detroit Project”
“Untitled Paul Thomas Anderson”
“Wonder Wheel”
“Wonderstruck”

Why no GREATEST SHOWMAN on the Best Picture possibles? It has a strong creative team ( Oscar winner screenwriter Michael Arndt, and Oscar winner best songwriters Pasek &Paul) and a very strong cast  (with chops in musical theatre and movie musicals)-- and it is backed on both the production and distribution sides by a major studio (Fox), the first movie musical in decades that earned such support from one of the big 6 studios.

It looks like it is the unknown factor of its director, Michael Gracey, who is directing his first movie, that may have caused some understandable hesitancy!   Anne did mention that among the factors considered in making all the lists is director's competence!    ( Per the introductory article by Anne Thompson : "Check out our early speculation, based on credible filmmakers, promising ensembles and Oscar-savvy distributors")... People will wait whether the trust put in him by Hugh and Fox will be well-deserved!

Crossing my fingers, too!


Jo

[jo]

Does LOGAN have a chance at the Oscars?

A film site looks at the possibility --

entertainment.ie/cinema/news/Opinion-The-case-for-Logan-and-its-cast-as-possible-Oscar-nominees/391290.htm


It favors Patrick Stewart getting a nod for his work in the movie.

[mamaleh]

Agree with most points, but I think HJ's performance is every bit as "layered and nuanced " as Patrick Stewart's, given that we see the evolution and culmination of the iconic central character as well as a physical manifestation of his most feral instincts in X-24.

I hope both are recognized at awards time.

Ellen
,

[njr]

Maybe now Hugh will have a fighting chance to win an Oscar!

www.msn.com/en-us/movies/news/shocker-daniel-day-lewis-quits-acting-exclusive/ar-BBCXAoM?li=BBnb4R7

Nancy

[jo]

DDL's very last movie (Phantom Thread) will be released on the same exact date in the USA ( Christmas 2017) as THE GREATEST SHOWMAN. Will the AMPAS be especially sympathetic with him and honor him with a fourth Oscar? Of course there will be two senior actors who might fight it out for the next Oscar ( among others, hopefully including a part-Brit named Hugh Jackman) -- Gary Oldman as the revered British PM Churchill in The Darkest Hour and DDLewis as a British fashion designer ( Phantom Thread) - hey, maybe the 2 senior actors may cancel each other out in the affection of the senior AMPAS members


On a more lighthearted note -- Wolverine ( as portrayed by Hugh Jackman) is safe in his retirement -- according to Hugh, the only reason why he would mind being replaced as Wolverine in the future is if DDLewis won an Oscar for the role, assuming he replaces Hugh as Wolverine/Logan