X-Men - The Series (general; ALL the movies)

[jo]

Ryan Deadpool has been asking Hugh to join him in a movie faceoff between Wolverine and Deadpool

He has been holding his campaign to get Hugh to his side via social media and mainstream media.

www.videogamesrepublic.com/deadpool-2-cast-to-have-hugh-jackman-in-sequel/4161

Deadpool 2 Cast To Have Hugh Jackman In Sequel?

By
John Michael Lagura

Published on December 13, 2016


Actor Ryan Reynolds reveals to EW his interest over bringing in Hugh Jackman in Deadpool 2.

The Odds Mingle In Deadpool 2

Both characters Wolverine and Deadpool may be at odds in the comic world, but that doesn’t hinder the possibility of a pair-up soon. As Ryan Reynolds would say it, “I want Deadpool and Wolverine in a movie together.”

Following Hugh Jackman’s move for retirement after the film Logan, Reynolds held him in for some talks over the coffee. Reynolds is still convincing Jackman to change his mind.

If Reynold’s interest is taken heed by the latter, the Deadpool 2 project would involve the two arch-enemies together in the screen. The chances would rank up depending to whose view is taken.


When asked to disclose his intention, Reynolds revealed that it is more personally-inclined. Reynolds has long dreamed to work with Jackman as friend and a mentor.


Although they’ve had a quick brush in X-Men Origins, it wasn’t that much sufficient. It was only later that Reynolds divulged with his writer his plans to tweaking the Deapool 2 story line. Fortunately, the nature of the Deadpool story holds easy angles for experimentation. Still, that doesn’t come without a price.

Deadpool 2, provided that Jackman gets swayed, will still manage to throw great brains off. The story line itself can already be very demanding.

The recently-awarded actor, Reynolds, maintains in-between careers. Currently, he cares for 1-year old baby girl, maintains relationship with wife Blake Lively and butt-heads with writers.
Within these, Reynolds manages to keep a quick friendly chat with Jackman. All these things keep him going, he says.

Hugh Jackman Walks Past

Hugh Jackman, on the other hand, nonchalantly walks across the hall of fame. A much fulfilled actor, Jackman is always ready to accept whatever life may throw at him after Wolverine career.

Who knows, he might give in to Reynold’s request.

[jo]

[jo]

The bromance continues

http://instagram.com/p/BOCskzcDV8n

[ruby]

Now you know what took 12 takes.

[jo]

Yup, I noticed the same shirt and suit and thought -- hey, it seems like...




Since this was filmed likely at the LOGAN media junket in NYC, I suspect that the idea could have been brought up to Hugh by one of the media people invited to the sessions? Maybe even brought the script and the cardboard mask ...In the past, some of them would do that -- including asking Hugh to sing their own takes of songs.

LOL - when I first watched the post, it sounded to me as if Hugh was reading from something, not as natural-sounding as when he is speaking extemporaneously.


Also, it looks like the hype for a teamup of Wolverine and Deadpool in the second DP movie is getting to be very strong ( will Hugh be able to resist?). Just take a look at the fast pace for the number of views for this Instagram post.


Just guessing, of course


Jo

[jo]

I wonder why he took out that particular image ( 12 Takes) from the list of his Instagram entries? Or did he upload it only on Twitter?

[jo]

The Wrap covers the Hugh roast on Ryan more fully --

www.thewrap.com/ryan-reynolds-roasted-by-hugh-jackman-as-deadpool-actor-receives-walk-of-fame-star/




And more buzz --


uproxx.com/movies/hugh-jackman-ryan-reynolds-deadpool/

[jo]

But will Wolverine's reply to Ryan Deadpool's overtures for another cinematic teamup be like his response to Erik and Charles

[jo]

www.denofgeek.com/uk/movies/alain-moussi/45649/alain-moussi-interview-kickboxer-vengeance-action-icons-and-statham

Interview with actor stuntman Alan Moussi  --

Alain Moussi is a very happy man. When we spoke to him on the phone to talk about the home release of Kickboxer: Vengeance his enthusiasm and passion for the film and all things action movie related were in abundance and rightly so. Moussi has been working in stunts for years, doubling for the likes of Henry Cavill, Aaron Eckhart and recently Hugh Jackman in this year’s X-Men: Apocalypse, but Kickboxer has given him not only the chance to play his first lead role, but to act alongside several of his childhood heroes. There’s also the benefit that two sequels have already been greenlit and are under production already, so here’s hoping Moussi’s first franchise shines a light on his burgeoning talent...

One question talks about the actors behind the action roles --

It’s strange, as a lot of my writing is about a love and defense of action movies, so a few years back when The Expendables launched, we spoke to Dolph Lundgren a few times and he mentioned how the was the era of Bond and Bourne, where suddenly a dramatic actor could become an action hero, in large part due to the editing and the art form was a little lost – that must have been something you witnessed too?





Absolutely, one analysis I made and it was interesting - I told my friend about this - when you compare stars from eighties and nineties, possibly before then too, I'd say action stars were the guys that were doing the whole thing, that was the real guy that was getting the hits and doing the action and you connected to them, I was connected to the dude I connected not to Kurt Sloane, but to Van Damme, I didn’t connect to Rocky, I connected to Stallone and whatever he was going to do, I was behind it no matter what. It wasn't about Captain America, it wasn't about Iron Man, it wasn't about James Bond, it was about the actors, the dude playing that person. Today is not like that, today is different, today there are these great actors playing these awesome characters, but you're not connected really connected to them, it’s very seldom you actually connect with who’s playing them.

Other than guys like Hugh Jackman, because Hugh Jackman, he is Wolverine. It’s going to be hard for someone to step into those shoes, it’s going to have to be somebody but, man, that’s a role that’s going to be really, really, hard to step into, because of Hugh Jackman, he is the Wolverine. You know people are behind Hugh, because he’s such an icon. People are behind Jason Statham and Dwayne Johnson is one of dudes that again. So, I feel like today like there is a lot less of that, whereas everybody in The Expendables like Dolph Lundgren and Wesley Snipes and these guys were the stars that everybody connected to. Their fans connected to those guys, not necessarily the characters who they played, that’s one of the major differences in yesterdays’ action stars, if you will, rather than todays’ actor who plays an action role, if you want to call it that, you know?

And again when I say that, I say that it with all the respect in the world, because I’ve worked with these actors who are amazing actors, amazing dramatic actors. A lot of them play these awesome action roles as well and I’ve seen guys train their butts off and actually pull it all off and they're great at it, you know. What I’d say for me, when I come into this environment. I come in and say "Okay, we’ve got this opportunity to do this film and it’s all about making it real, every scene that I’m doing, every time a take a spill, I want it to be done in a way that looks real and the hits look real."...

[jo]

So much speculation on who could replace Hugh Jackman as WOLVERINE?

Who's your choice, if any






I would be interested to know who Deadpool's choice might be -- as he is keen to team up with the character in a future movie!


Jo

[njr]

My vote goes to Scott Eastman!

Nancy

[jo]

Not for # 1 ?



Jo

[jo]

IMDB fanboys ( in their particular language) discuss Hugh Jackman's career options now that he may no longer be Wolverine...and ponder on whether he should continue with his film affair with the clawed mutant

www.imdb.com/title/tt3315342/board/nest/264827953


I did put in my two-cents worth somewhere

[jo]

Haha -- Hugh can be Wolverine/Oscar while Ryan can be Deadpool/Felix!

John Cohen
Verified account
@johncohen1
Producer: The Angry Birds Movie, Despicable Me. Exec: Hop, Ice Age, Dr. Seuss' Horton Hears a Who, Alvin and the Chipmunks. Next: Angry 2, Garfield reboot.

[mamaleh]

From Cohen's resume, looks like Wolvie & Deadpool would be in an animation-version of THE ODD COUPLE. Maybe he's thinking of Hugh and Reynolds' supplying their own voices.

Ellen

[ADMIN]

18 Reasons Why We'll Miss Hugh Jackman As Wolverine

[JH4HJ]

Hugh Jackman Teases Final Wolverine 3 Trailer with New Photos

A few weeks ago, just before the New Year was rung in, 20th Century Fox launched a Logan website that not only teased the final trailer is coming soon, but offered 1,974 lucky fans a chance to own their own special piece of the trailer itself. The website was entitled 1974 frames of Logan, which gave fans a chance to sign up and receive a limited edition postcard that features one of the 1974 frames in this impending sneak peek. As it turns out, star Hugh Jackman and director James Mangold received the first and last postcard frames, which they both shared today through social media.

At almost exactly the same time this morning, both Hugh Jackman and James Mangold took to Twitter to share their postcard frames. James Mangold had the very first frame, which shows the outline of Logan's Chrysler 300 limousine, although we can't see the full vehicle. You may recall that earlier set photos from the production showed that vehicle riddled with bullet holes, while other reports revealed that Logan had taken this job in El Paso, Texas.

I can't reproduce the two frames - you can see them here.

Full article

[jo]

Deadpool will stop at nothing

[mamaleh]

LOL, I'm glad Hugh plays the male lead.

Ellen

[jo]

The Wolverine cheers for (Michigan)Wolverines!

ftw.usatoday.com/2017/03/hugh-jackman-michigan-logan-wolverines-wolverine-big-ten-title

[hughmanity]

Mar 12, 2017 16:55:03 GMT -5 jo said:

The Wolverine cheers for (Michigan)Wolverines!

ftw.usatoday.com/2017/03/hugh-jackman-michigan-logan-wolverines-wolverine-big-ten-title

My son, who attended this school, was so excited to see Hugh's support!  Go blue!  Go Wolverines!

[jo]

What's ahead for the XMen franchise at FOX ?

gulfnews.com/business/sectors/media/r-rated-mutant-movies-to-give-fox-more-bite-1.1993641

[jo]

Summary of ratings at ROTTEN TOMATOES for the XMen movies --

editorial.rottentomatoes.com/article/x-men-movies-by-tomatometer/

X-Men Movies Ranked Worst to Best by Tomatometer

In this week's Total Recall, we look at all 10 films in the popular Marvel franchise.

by Jeff Giles | March 1, 2017 | Comments


This past weekend’s Logan marks the tenth entry in the X-Men franchise, which is now officially 17 years old. That’s right: Hugh Jackman has played Wolverine for 17 years, in every X-Men movie except Deadpool. In honor of this franchise landmark, we decided to look back at where it’s been, from the hit 2000 original through subsequent sequels and standalone features. Get ready to get your snikt on, bub — it’s time for Total Recall!

X-Men Origins - Wolverine (2009) 38%

After the disappointment of X-Men: The Last Stand, a solo movie for Hugh Jackman’s Wolverine seemed like a smart and relatively foolproof way of getting the X-Men franchise back on track. Unfortunately, 2009’s X-Men Origins: Wolverine failed to capitalize on its immense potential; rated PG-13 and clocking in at 107 minutes, director Gavin Hood’s take on the character’s backstory could deliver neither the hard-hitting violence nor the epic sweep it deserved, and it didn’t help that David Benioff and Skip Woods’ script saddled Jackman with an ensemble cast that included a widely maligned version of the comics fan favorite Deadpool (Ryan Reynolds). Still, for critics who entered the theater with sufficiently low expectations, it proved a reasonably entertaining diversion; as Laremy Legel wrote for Film.com, “You won’t be upset you saw it, you’ll have some fun, you’ll see Wolvie beat the living hell out of a helicopter.”



X-Men: Apocalypse (2016) 48%

Like a Phoenix Force-powered mutant rising from the ashes, the X-Men franchise rebounded from the much-maligned X-Men: The Last Stand by rebooting the series timeline — but nothing lasts forever, and the critical momentum generated by the First Class and Days of Future Past installments came to a grinding halt with X-Men: Apocalypse. It wasn’t supposed to be this way: the titular villain of this trilogy-concluding chapter is not only one of the biggest bad guys in the X-Men comics, he’s played here by Oscar Isaac, adding yet another talented thespian to a cast already overloaded with superstar wattage. Unfortunately, all that talent and all those decades of source material couldn’t help Apocalypse, which took the compelling-on-paper story of a powerful mutant out to cleanse the Earth with his Four Horseman and turned it into a muddled mush of set pieces and CGI. Still, it had its fans — including MTV’s Amy Nicholson, who wrote, “I found myself loving this strange, straight-faced operetta that embraces everything from Gregorian chanting to East German punk to Flock of Seagulls.”



X-Men: The Last Stand (2006) 58%

After two top-grossing, well-reviewed installments, the X-Men film franchise was due for a fall — and with 2006’s X-Men: The Last Stand, it arrived in the form of a second sequel whose $400 million-plus grosses were overshadowed by poor word of mouth and a rash of negative reviews. Though 56 percent isn’t a terrible Tomatometer score — and some critics enjoyed the movie, such as the New York Observer’s Andrew Sarris, who wrote that he was “strangely moved” by it — the lukewarm response was a significant comedown for the franchise, particularly after Bryan Singer, who directed the first two installments, left the project to take on Superman Returns, taking the previous installment’s screenwriters with him. New director Brett Ratner took his fair share of critical lumps (the Washington Post’s Ann Hornaday accused him of “[making] hash of the story and characters”), but there was plenty of blame to go around; in the words of the Chicago Reader’s J.R. Jones, “despite all the grand gestures of climax and resolution, there’s a pronounced sense of autopilot.”



The Wolverine (2013) 69%

Fox execs were no doubt hoping that by the time they got around to giving Wolverine his second standalone feature, they’d have a solo franchise to build on — but instead, 2013’s The Wolverine needed to advance the character’s story while repairing the fan goodwill they’d lost the first time around. The homicidal streak that makes Wolverine such a fascinating character in the comics is also what’s made him relatively problematic on the big screen, and its PG-13 neutering is part of what rendered Hugh Jackman’s debut solo outing as the clawed superhero, X-Men Origins: Wolverine, such a disappointment for longtime fans. Director James Mangold had the benefit of lowered expectations when it came time to helm the follow-up, The Wolverine, but the end result — which drew inspiration from a beloved 1980s comics story that sent the character to Japan — earned more than a slow clap from critics; as Mick LaSalle enthused for the San Francisco Chronicle, “Somewhere along the line somebody must have had a crazy idea, that The Wolverine required a decent script, and shouldn’t rely only on action, audience goodwill and the sight of Hugh Jackman with his shirt off. The team delivers with this one.”



X-Men (2000) 81%

Years before Joss Whedon corralled a big ensemble cast for The Avengers, Bryan Singer pulled it off with X-Men — and what’s more, he managed to do it without the benefit of the major characters getting exposition-clearing standalone features first. In spite of all that — and in spite of the inherent obstacles facing a film that wants to make audiences believe in a team of crimefighting superpowered mutants whose ranks include a telepath nicknamed Professor X (Patrick Stewart), an angry little man with retractable claws (Hugh Jackman), a woman who can control the weather with her mind (Halle Berry), and a guy with laser beams shooting out of his eyes (James Marsden) — the summer of 2000 brought the classic band of Marvel heroes to the big screen in style, racking up almost $300 million in worldwide grosses and a healthy stack of positive reviews from critics like New York Magazine’s Peter Rainer, who deemed it “A rarity: a comic-book movie with a satisfying cinematic design and protagonists you want to watch.”



Deadpool (2016) 84%

The term “fanboy” is often used derisively, but every once in awhile, a group of diehards comes together to do a little good for pop culture — and Deadpool is a case in point. A longtime fan favorite in the Marvel comics universe, the “merc with a mouth” (played by Ryan Reynolds) was decidedly ill-served during his appearance in X-Men Origins: Wolverine, and for years afterwards, fans clamored for a standalone Deadpool movie. It really shouldn’t have worked, and not just because Origins tanked; more importantly, the character’s enthusiastically R-rated adventures would need to be edited beyond reason in order to make him fit the family-friendly superhero blockbuster mold. Yet after yielding to fans’ constant cries for a Deadpool feature — partly thanks to the release of some test footage that may or may not have been leaked by Reynolds — Fox resisted the temptation to go after those sweet PG-13 dollars. Instead, to their credit, the studio embraced Deadpool’s comics roots by using him as the centerpiece of an R-rated mutant action thriller that leaned on the superhero genre’s tropes while knowingly subverting them — and, of course, setting up a sequel. It is, as Todd McCarthy wrote for the Hollywood Reporter, “A really raunchy, very dirty and pretty funny goof on the entire superhero ethos, as well as the first Marvel film to irreverently trash the brand.”



X2: X-Men United (2003) 86%

Given the long odds it faced just getting to the screen, let alone pulling off the transition so successfully, it seemed altogether unlikely that X-Men’s inevitable sequel would be able to achieve the same standard, let alone exceed it — but that’s exactly what 2003’s X2: X-Men United did, both at the box office, where it grossed over $400 million, and among critics, who praised it even more highly than its predecessor. This was, appropriately, accomplished two ways: One, the screenplay satisfied critics and longtime fans by tackling the comic’s long-running sociological themes, most explicitly the fear of “outside” elements (in this case, sexy super-powered mutants) and how that fear is channeled by xenophobic authority figures; two, the sequel ramped up the original’s gee-whiz factor by introducing characters like the teleporting, prehensile-tailed Nightcrawler — and daring to tease at the Marvel title’s Phoenix storyline, one of the most beloved, brain-bending plots in the publisher’s history. The result was a film that remains both a fan favorite and a critical benchmark for writers like Moira MacDonald of the Seattle Times, who lauded X2 as “A wonderfully populated adventure, with the franchise even more compelling the second time out because of our familiarity with the characters.”



X-Men: First Class (2011) 86%

After the disappointments of The Last Stand and X-Men Origins: Wolverine, the X-Men franchise was in desperate need of a creative rebirth. It arrived in the form of 2011’s X-Men: First Class, which rebooted the moribund mutant saga by taking the characters back to their beginnings as a freshly assembled team of superheroes. The reason for their coming together? The threat posed by Sebastian Shaw (Kevin Bacon), an energy-absorbing sociopath (and former Nazi to boot) who plans on taking over the world — and instead ends up bringing together Charles Xavier (James McAvoy) and Magneto (Michael Fassbender). A major box-office hit and a solid first step toward righting the wrongs of The Last Stand, it also resonated with critics like the Wall Street Journal’s Joe Morgenstern, who wrote, “Preaching mutant pride with endearing fervor, X-Men: First Class proves to be a mutant in its own right — a zestfully radical departure from the latter spawn of a sputtering franchise.”



X-Men: Days of Future Past (2014) 91%

After restoring the franchise to firm footing with X-Men: First Class, director Matthew Vaughn handed the reins back to Bryan Singer, who returned to the series he’d started with such acclaim — and took things a step further, drawing on one of the comics’ most acclaimed storylines to deliver the X-Men movies’ most epic entry while partially restoring some of what many fans felt had been lost or damaged during The Last Stand. Using an ambitious time travel plot to unite the First Class cast with their predecessors, Singer risked overstuffing X-Men: Days of Future Past, but he achieved the opposite effect; although most critics readily admitted that Singer’s efforts required a level of filmgoer sophistication not often demanded by your average blockbuster, they were just as quick to argue that the results included some of the most purely entertaining stuff the franchise had to offer. Calling it “maximalist Hollywood filmmaking at its best,” Slate’s Dana Stevens enthused that Days of Future Past is “the kind of extravagant production that, like a Wagner opera, can sweep you up in a sense of mythic grandeur even as you struggle to follow what’s going on.”



Logan (2017) 92%

Third time’s the charm. After whiffing on their first opportunity to give Wolverine a compelling solo outing with the calamitous Origins, then inching a little closer to snikt-worthy cinema with The Wolverine, Fox finally gave fans a properly grim and gritty third installment. Logan peers into a dark future for our favorite mutants, with most of the X-Men dead after a mysterious tragedy and Wolverine reduced to working as a driver while caring for an ailing Professor X (Patrick Stewart) and saving up enough money to buy a boat and sail off into aquatic exile. Fate has less peaceful plans for our heroes, of course; in short order, Logan finds himself embroiled in a dangerous plot involving a mysterious lab and a young girl on the run (Dafne Keen). It’s a classic Wolverine caper, loosely inspired by the Old Man Logan comics arc, and delivered with all the hard-hitting, hard-R panache fans waited patiently to see — not to mention the vast majority of critics. “Entertaining as they are, Marvel movies aren’t expected to be this mature, this dark or this human,” wrote Colin Covert for the Minneapolis Star Tribune. “This is a bold, coherent story inspired by a comic book, not slavishly based on it.”

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[/quote]

[jo]

At the CinemaCon ( formerly Showest, the convention for theater exhibitors) in Las Vegas this week, SONY made a special presentation for SPIDER-MAN HOMECOMING --

The mother of all clips shown off was from Marvel’s Spider-Man: Homecoming with a look at Michael Keaton’s Vulture. In bringing Marvel chief Kevin Feige to the stage, Rothman said, “I actually gave Kevin his first job on the first X-Men. If I knew a big shot he was going to be, I would have kissed his ass a little more.”

That first XMen movie did make a career-defining headstart for relative unknowns then --

*Bryan Singer became famous for creating the new superhero movie genre!
*Kevin Feige ( who was Executive Assistant to Producer Lauren Shuler Donner) eventually became the head of MARVEL STUDIOS!
*Hugh Jackman just ended his 17-year tenure as the franchise's most famous mutant character, with his legacy-making LOGAN!



Jo

[jo]

FOX has just announced release dates for 3 XMEN-related movies in 2018 ( The New Mutants/Deadpool 2/Dark Phoenix)... and it is sad that Hugh Jackman will no longer be part of the excitement relating to new movies for the franchise!

www.comingsoon.net/movies/news/840793-new-mutants-deadpool-2-and-x-men-dark-phoenix-release-dates-revealed?utm_source=rss&utm_medium=rss&utm_campaign=new-mutants-deadpool-2-and-x-men-dark-phoenix-release-dates-revealed#/slide/1


But Hugh is now likely looking at the new turn in his career!


Jo