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Post by jo on Oct 13, 2014 17:40:20 GMT -5
I wonder what people ( especially if they have not read the book/script) are expecting of the play Oops - what's Dali doing in the picture? Will he have a cameo at the CITS, too Jo
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Post by jo on Oct 13, 2014 19:44:50 GMT -5
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Post by jo on Oct 14, 2014 8:25:38 GMT -5
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Post by jo on Oct 14, 2014 8:30:24 GMT -5
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Post by jo on Oct 14, 2014 9:21:09 GMT -5
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Post by mamaleh on Oct 14, 2014 9:31:27 GMT -5
I wonder where those photos were taken. At GMA? CITS? BBB offices? Elsewhere? I must admit that I get slightly annoyed when I see that the PR agency is Boneau/Bryan-Brown. Numerous years ago I (unsuccessfully) applied for a job at that theatrical PR firm. But I forgive them if they take nice shots of Hugh. Ellen
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Post by jo on Oct 14, 2014 9:44:54 GMT -5
LOL - Ellen BBB did not know what they lost when they did not consider you for the position! Isn't theatrical publicity practically a monopoly of this outfit on Broadway? Btw, looking more intently at the two lady co-stars of Hugh -- it seems that casting of the play for the two ladies has been an attempt, both in London and on Broadway, to ensure that they are two very different personas. In London, the role of The Woman was played by a blonde English actress ( Miranda Raison), a definite contrast to the Celtic beauty of Laura Donnelly. On Broadway, half-Nigerian/half English Cush Jumbo plays that role opposite Laura.
I think this is deliberate and has something to do with differentiating the two women physically...and deepens the mystery further on how The Man reacts to both of them?Jo
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Post by jo on Oct 14, 2014 9:51:21 GMT -5
It looks like it was Meet the Press Day for the cast of THE RIVER. If this were a musical, there would have been some rehearsal glimpses for the press.
In addition to the tweets of Sandy Kenyon, here's another interview photo with another member of the media -
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Post by jo on Oct 14, 2014 10:03:52 GMT -5
From Page Six -- Arriving for his GMA interview --
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Post by jo on Oct 14, 2014 10:05:59 GMT -5
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Post by jo on Oct 14, 2014 11:09:43 GMT -5
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Post by mamaleh on Oct 14, 2014 11:22:08 GMT -5
LOL - Ellen BBB did not know what they lost when they did not consider you for the position! Isn't theatrical publicity practically a monopoly of this outfit on Broadway? Btw, looking more intently at the two lady co-stars of Hugh -- it seems that casting of the play for the two ladies has been an attempt, both in London and on Broadway, to ensure that they are two very different personas. In London, the role of The Woman was played by a blonde English actress ( Miranda Raison), a definite contrast to the Celtic beauty of Laura Donnelly. On Broadway, half-Nigerian/half English Cush Jumbo plays that role opposite Laura.
I think this is deliberate and has something to do with differentiating the two women physically...and deepens the mystery further on how The Man reacts to both of them?Jo Thanks, Jo. Too bad you didn't toil in BBB's human resources department. Yeah, they're certainly the biggie. But there's also Barlow-Hartman, Jeffrey Richards Associates and Richard Kornberg & Associates, to name a few. I read that the press photoshoot took place in the rehearsal space at Circle in the Square. So they are rehearsing in their "home." Good. Ellen
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Post by jo on Oct 14, 2014 11:34:53 GMT -5
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Post by jo on Oct 14, 2014 12:16:39 GMT -5
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Post by mamaleh on Oct 14, 2014 12:28:50 GMT -5
Looks like red velvet. Not bad! (Well, he might need extra energy for the stage.) Ellen
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Post by jo on Oct 14, 2014 13:17:47 GMT -5
SCOOP Here's the set design -- From the Broadway.com photo gallery ( I ignored it because from the thumbnail I couldn't figure out what it was -LOL!) I'm guessing - but are those the ODD and EVEN ROW Riverbank seating? The thrust stage is obvious. It looks like that you may have to look up a little to see the actor's emoting, as the seating is a little below the stage. No backrest? Jo
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Post by jo on Oct 14, 2014 14:30:35 GMT -5
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Post by jo on Oct 14, 2014 20:20:03 GMT -5
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Post by jo on Oct 14, 2014 21:08:37 GMT -5
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Post by jo on Oct 14, 2014 21:11:29 GMT -5
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Post by jo on Oct 14, 2014 21:52:29 GMT -5
He always looks good in a grey suit (dove or charcoal) --
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Post by jo on Oct 14, 2014 22:51:04 GMT -5
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Post by jo on Oct 15, 2014 22:49:25 GMT -5
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Post by jo on Oct 15, 2014 22:53:55 GMT -5
Also --
For Regular and Premium seats --
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Post by jo on Oct 16, 2014 8:14:55 GMT -5
Video interview with ACCESS HOLLYWOOD -- www.accesshollywood.com/the-river-hugh-jackman-on-the-pressures-of-a-new-play_video_2415937Expounding on whether a new work creates more pressure -- Hugh has always been more open to this kind of challenge. It is not just that is new work but it is a different kind of new work, even if the playwright's other work(s) have already been well-received. In a sense, while this is a London transfer and has a template ready, the play is being brought to an entirely new audience whose demographics may or may not be in tune with this kind of stage drama ( although the comparisons with British playwrights and directors like Pinter and Hitchcock may be a good sign since these two have been accepted by American audiences, although maybe more of Hitchcock for the mainstream). That is a real challenge in itself. Plus it is a different actor who is interpreting the role, in this case someone who luckily is both a stage thespian and a fine film actor. Personally, while the medium is live theatre, I wonder if the storyline and the characterizations also work well if this were a cinematic creation? Jo
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